Announcements: From MEISA: MEISA's annual Battle of the Bands is coming up soon!
If you're interested in entering your band, make a CD with three original songs on it and place it in the MEISA mailbox on the top floor of the Student Center. Or give it to one of MEISA's e-board members. The deadline for entry is April 1 and the battle will be held on April 15 in the German Club at 6pm. 8 bands will be selected to perform! Get those entries in and good luck!

On-Campus Events: Charger Pep Band: 

Men's Volleyball Game and Carnival Night Giveaway- Thursday, March 26, 2009 7PM *Confirmed*

Mean Carlene Concert open to the entire campus-Saturday, April 25, 2009 8PM

5678DanceTeam :

April 4th: Dance Showcase, German Club, 8PM-11PM 

May 10th: Dance Showcase, Dodds, 12PM-2PM *Confirmed*

 

It's almost spring! Get ready for the new season with PULP Magazine: 

The latest releases in both music, and books, Want to get a job in the music or film industry? Read "An Interview with Brad Hall", the creator of http://www.entertainmentcareers.net, Find out how to get a photo pass/press pass to your favorite show, Find out more about the newest obsession among musicians: Twitter!, Instrument profile for March: The Cuatro, from Puerto Rico, A review, and interview with We The Living, some news on former Distillers front-women Brody Dalle and her latest project: Spinnerette, and the latest editions of The Indie Corner, Fashion Nugget: Fashion profiles of Semi-Precious Weapons' Justin Tranter and girl duo-The Veronicas!, and the Indie Artist's Survival Guide (part 4), and more! Enjoy!

 

If anyone is interested in having their band, project, or establishment featured in PULP Magazine, please send an e-mail to: pulpmagazine@newhaven.edu

We The Living Visit UNH Again

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by Michelle Tapper, Staff Writer

We The Living simply blew me away...again. Their performance in the German Club on Thursday Feb. 26, 2009 was somehow even more incredible than their performance last semester.

            Their passion for their music is very easy to see during their high energy performance. They relied mainly on material from Heights of the Heavens while mixing in a few songs off their new EP Depths of the Earth and a fantastic cover of Jason Mraz's hit "I'm Yours."

            There was a lot of participation when the band played older material. Fans sang and danced along to songs like "Typical," "75 and 17," and "Best Laid Plans."

            After another great performance, it's plain to see why so many people all over the country are completely enamored with We The Living.

            For more information on We The Living, visit these websites:

            www.wetheliving.com

            www.myspace.com/wetheliving

by Jason Beauregard

 

Brad Hall is the founder of EntertainmentCareers.net.  This site is responsible for finding more people jobs in entertainment than any other website currently available, and you guessed it, it's free.  The following is what ensued when I sat down with Brad and chewed the fat on the industry, music, yogurt, and how to get a job and keep one. 

 

What is an average day in the life of Brad Hall? What occupies most of your time?

 

            Oh god, I mean essentially I'm a one man show, so it spans the spectrum. I mean I take my own trash out do all the financial accounting, the marketing. I do everything for the website and website development, it's fairly even, but most of my time is dedicated to the operation of the actual site.

 

How did it all get started?

            It started by accident. Initially we started as a 1 page website in 1998. At the time I was in the entertainment industry doing film production.   I would frequently talk to my mom and she would say "oh I was at my hairdresser today and her son is trying to get into the entertainment industry" So basically I would have the same phone call a thousand times, so I basically just put together a little simple web page where I could say, ok "go here, read this, if you have any questions let me know afterwards". So I guess in one sense it was laziness on my behalf so I don't have to keep saying the same thing over and over again. Then it evolved over time where companies would put up there jobs online so I would just put up a little link, you know here's a couple of places you could check out.  You know and that point you could just search jobs over the telephone, and listen to recordings so it had just started evolving. It was really out of selfish interest I guess because at the time I had just finished producing an independent film and I needed to find another job, and you had to go from one site to the other site to the other site so you are just there hopping from site to site, and it s like for "crimeys sake, why isn't this in one spot" and so I really created it for myself first, and it evolved into what it is now.  And you know the timing of it couldn't have been better, I mean I was just right place right time.  I mean you have these multi million dollar companies trying to essentially recreate what I've done, you know these guys with cash and they cant do it, and neither could I at this point, I mean its so much harder to get a thing like that off the ground now, where as before there was not much more out there of this size or quality.  In the early days of the internet, all of my advertising was really word of mouth, people putting it up on their websites and college career centers, so like I said, it was really just perfect timing as far as that goes... just dumb luck more than anything really.

           

I mean Id be willing to say that you caught it right ahead of the curve,  I mean you had something that was in demand yet people didn't even know that they could ask for yet, and it seems like you fell into a really great place in that regard...

Yeah, yeah for sure, really lucky.

 

Well I guess that answers how the site changed over time, is there anything else you'd like to add to that?  I mean I have your site up right now, I'm seeing jobs, I'm  seeing internships, one of the coolest things I like seeing is the "what people are saying" page, I mean we have people as far as employers and job seekers, people just saying things like "thank you , thank you for helping me find ..." you know, because especially being out in LA, there's that whole stereotype of people who move out there, "oh I want to get into the entertainment industry" it seems like u really got something good in that this is something that everyone, as far as the kids I know at school or kids who are going to school for the same thing or people just trying to break into the industry,  it's a really good stepping stone...

            I'd say what differentiates us from I guess you could say we have competitors, but it was created at a time when you know, I was looking for work myself so it was built through that  mindset, it is very job seeker focused.  As opposed to you know every other site out there caters to a product for employers, where as this site has completely the job seeker in mind the person who has no connection, you know to use this as a resource.  If one chooses, and you know from both sides, you can use the site for free.  There's other sites out there who are going to charge you know $29.95/month for postings that were removed on our site two months before so its just in some senses that helps the little guy with no connections, no relatives in the industry to try and level the playing field a bit because the bottom line is that it works, you know? It works and its great, I like it when people write in with thank you notes, you know I remember when I got my first job I mean it's a life changing event for some people so its great to be able to help someone along their career path. In this industry in particular, I mean people are passionate about it, so anything we can do to help them get along on their way is great. 

 

What did you go to school for?

            (Laughs) I went to UCLA, I was an Organizational Studies major, basically studying businesses and their organizational structure, organizational sociology or whatever its called, and I was, my career path really came to a crossroads one day, you know I was still at UCLA and I had to get a job, and I went to go interview at a monstrous accounting and consulting firm, so you know I go dressed in a shirt and tie and did the interview and came back from the interview and saw somebody who I barely knew and he goes, what are you all dressed up for, man, no one in LA wears a suit  and I told him I had the meeting and he was like, well I m working at Warner bros. right now and I have to quit do you want my job?  I was like sure man sounds interesting, and it was for one of the biggest directors at the time, I mean he did lethal weapon and superman movies and all this stuff, so you know, like I said a lot of what's happened to me has been stupid luck. So my education didn't prepare me for this one lick.  (Laughs).  I mean unless you're a film studies major or music major, its more common than not that people have an indirect or major relative to the field that they get into.

 

What industry experience did you have before starting EC.net?

My interest was really the physical production of it, I mean I had that job at Warner Brothers, and when I graduated they offered me a full time job, so I mean I was working on the lot at a big development and production company, so I got to see both sides of the equation. I mean I was really fascinated with the actual production, so I got to work on the set and see how that all operated, so at that point I would pick up any job that I could, and then you know it was all right place right time, and met the right people, and I was able to produce a series of short films for the David Letterman Show, and at that point I was about I think 25 at the time, and I thought I had just hit the lotto (figuratively) it was a great experience, and that really gave me a taste of producing. So I wanted to produce a feature, and then so for the next couple of years I focused on that and so my late 20s early 30s I worked on producing the feature film, and its right around there where I started EntertainmentCareers.net. 

 

So is EC.net your primary occupation as of now?

Yes, it's full time and then some. Certainly was not my intention at first, you know I mean at the time I was producing independent stuff, which you know pays nothing until you sell your project so you know my mindset was I need to come up with a business idea that can really sustain me during these times cause I didn't earn any money for like two years when I was working on that project so it just evolved and I really started enjoying it, so now its definitely my full time deal. 

 

Where do you find your listings?

Well, at this point, were lucky to, if you want to call us industry standard, we don't have to seek out...people come to us.  I mean the first couple years it was really me trying to gain credibility, I mean me just constantly begging employers to post anything, you know just beating the bushes to get listings, some companies weren't really trustful of the concept of putting something online, back then everything seemed so fly by night that the first two years I really had to constantly be trying to find new sources and now 99% of the employers come straight to us, word of mouth. It is pretty much industry standard, you know everyone knows about us so in that sense were very very lucky in that we provide something where both ends seem to find us based on our success. 

 

How many people would you say you have helped get int. and jobs so far?

            Its really impossible to say, I mean I can just base it on employer feedback and job seeker feedback, but I mean, thousands and thousands if not over ten thousand,  were coming up on our 100,000th posting probably this summer.  I mean a lot of the postings are looking for a crew for short films or crew for independent films, so sometimes one posting can get thirty people jobs. Internships the same way, you know a lot of the TV shows and companies have year round internship programs so one posting has worked for them for five years, so they'll just keep renewing it.  So I mean in that sense, it's really difficult to say, I mean I would absolutely kill to know the number, but I mean I would guess over ten thousand?  It's difficult for me to go out in LA, and have casual conversation with people in the industry without "oh yeah, I got my first job from your site" or "I found my internship" or this this this, so the only comfortable number I can say is a lot, it's quite a few.

 

What advice would you give to students entering the entertainment industry today?

It's a simple piece of advice, but put together some specific sort of idea as far as what you want to do, cause if you meet somebody.  If you for instance are out in the world and say meet someone and say I want to get into the entertainment industry, it's very hard to help you.  If someone comes to me and says I want to get into the entertainment industry, even if I know them or know someone, you know a friend of a friend, there's very little I can do, there's very little anyone can do, if someone says to me I really want to get into production and animation, then I can say ok, here's what you can do, someone can actually help you at that point.  So even if you have to BS your answer, even if you don't really know, you need to be able to have that very specific sort of sales pitch : interested in this, these are the areas your thinking about getting into, xyz its just the ambiguity that kills people.  And even in the music industry, if someone comes to me and says I want to get into the music industry, in their mind they might mean they want to be and engineer, or a recording artist or in publicity, but even if you pick music industry, there's such a wide range of creative/non creative jobs, in operations, so the best thing someone can do is be very specific with what they wants are.  I find that people are a little sheepish because they feel like, "oh everyone else wants to be a recording artist" but if you don't say it people can't help you, at all.

 

Will the entertainment industry survive in our perilous times?

Well ill tell you, the SAG certainly is not helping things. The site we have now, is the industry, is like anything, it will always exist.  I mean the music business has changed so much; it has reinvented itself so many times.  The entertainment industry, due to change in tech, marketing and visual standpoint, the phenomenon of YouTube its on one hand all the modern tech and all the sort of grassroots distributions possibilities for film television music or anything is its a blessing and a curse, because what used to take the cost of a small airplane to produce an album now for the cost of a very expensive bike or a small car can produce a whole album video quality.  On one hand it levels the playing field for people who can self produce, self publish, but on the other hand it makes the filtration so hard because so much product content out there that it's very difficult to find something that's worthwhile.  It will absolutely survive, especially the entertainment industry as were talking film and television, I mean that's going through a very crazy change, I mean specifically because as I was saying at this time you've got the Screen Actors Guild essentially has a gun to the industries head right now, and their response is "Fine, we'll make more stuff that doesn't require actors", i.e. reality TV.  So what its going to do is shrink TV out of production and grow more reality based stuff, game shows, you know the reality stuff you see all the time its like anything.  The face will change but the body will still exist. 

 

How would you advise on job security in our current market situation?

There's no such thing.  The advantage of someone who's is young and just starting out its oddly better, quite frankly because their cheaper, because you know, with everything that's going on in the economy, the first thing people do is cut marketing and advertising.  So anyone who does sales for magazines and radio, all these guys who are twenty year veterans are getting axed, and the cheap guys are staying.  So in certain circumstances, ones inexperience and their willingness to work for next to nothing helps them.  Job security doesn't exist anymore, which makes one be a lot more proactive and flexible.  I've got a friend who has been a production manager/line producer for his entire career and now he's just switched over to the other side, and now he's an agent who represents the lower end up and coming talent. If I had told him ten years ago that he'd be an agent he would have laughed in my face.  But absolutely flexibility and also you've got to keep yourself up to date and constantly make yourself useful.  I think a lot of fat has been built into a lot of businesses in the last ten years, you know in times of plenty people really don't care about a little bit of excess spending, but you know if your making yourself invaluable especially in regards to technology in reality kids coming out of college are much more educated even in a computer sense, especially with the advent of ProTools and all this stuff, its common to know how to operate this stuff, where as ten fifteen years ago someone who had been in the industry their whole life hadn't really improved.  So I think definitely education and being around it really helps you, especially at this point in your career.  On the other hand, it also sets a high bar, where you have to know this stuff or you don't have a shot. 

 

What music do you like? What's on your playlist?

I definitely span the spectrum, I mean I'm definitely a product of 80s music, I have to admit.  My favorite band is definitely U2, it has been since I first saw them in like 83 or 84 or whenever it was, and I've just been hooked ever since.  But on my 60 minute playlist for my workout to day it was U2, Johnny Cash, Ozzy Osborne, gosh I'm too embarrassed to say a couple of them but it really, I was a huge heavy metal rocker when I was in sixth and seventh grade, so I'm all over the place.  I don't think there's a musical style or genre that I don't like or have at least had one track of.

                       

If your site was a yogurt, would it be fruit on the bottom or stirred and why?

OH, fruit on the bottom for sure!! Who wants that stirred crap?  You've got nothing to do with it, it's already pre stirred, you got nowhere to go.  No options.

 

Right, there's no motivation to get to the bottom

Absolutely man

 

Where would you like to live if money and a job was not a problem?

Well I lived in NY, never been to Nashville, I love LOVE San Francisco, and Chicago, I'd move to Chicago tomorrow if it weren't in Chicago.  Great cities.

 

What is your favorite way to consume entertainment, what do you crave?

As far as my consumption of entertainment, I got to tell you I am hooked on any Law & Order that's on TV.  Criminal intent, SVU, any TV cop show, CSI, I am a slave for it.

 

Well Brad, that pretty much wraps it up, thanks so much for taking the time to sit down, it's much appreciated.

Absolutely man, it was my pleasure. Take care Jason.

 

To check out all the fabulous things that Brad has available at his site, such as internships and job listings in nearly every state and subject listing, visit http://www.entertainmentcareers.net

 

 

 

by Kristen Bayusik, Staff Writer

            Spinnerette is the latest project from former Distillers front-woman, Brody Dalle. It is definitely a far different sound from her brash, throaty punk of the late '90s and early '00s. However, they still have the same rock and roll heart, and use modern technology to put themselves out to the public.

            The recordings of Spinnerette consists of rock veterans Tony Bevilacqua (The Distillers), Jack Irons (Red Hot Chili Peppers and Pearl Jam) and Alain Johannes (Queens of the Stone Age). The live shows, however, include several other musicians; as Brody has said in interviews, "me and whichever musicians I want to work with at the time".

            Basically, their sound is exactly what one would expect from putting all these prime musicians together. And more. It is modern indie rock, with old school roots, and creative juices running from all different sources. In essence, Spinnerette is what you've heard before, in a way that you've never imagined hearing it before. 

So far, Spinnerette has made plenty of use of the Internet and other modern technologies in their promotion. In August of 2008, the band posted their song "Valium Knights" on their Myspace page for people to get a glimpse of what would be released in the future. In December 2008, they self-released a digital EP entitled Ghetto Love on their website.  Downloading this EP also gave listeners access to their video for "Ghetto Love" which was directed by Liam Lynch.

Spinnerette has also worked with the technology company TopSpin Media, which uses software and other computer services to help artists connect with their fans. Topspin has featured the band on their web blog, posting video clips, giving access to downloads of songs, and even promoted a special Valentine's release of the "Sex Bomb" remix on hot pink vinyl. Purchase of this release also gave fans the opportunity to download the original, individual stems from the song to make their own remixes.

The band's first full-length, self-titled album is due out later this year. Whether it comes out sooner or later, you can expect to hear plenty more from Spinnerette in between.

 

For more information on Spinnerette, and to keep up to date with what they're up to... Check  it out the links here:

http://spinnerettemusic.com/

http://www.myspace.com/spinnerettemusic

 

by Kait Richmond, Staff Writer

Justin Tranter of Semi-Precious Weapons:

Glam band Semi-Precious Weapons is bursting onto the scene and causing a stir, not only for their music but for their fashion. Front man Justin Tranter is prettier than a lot of girls, and he knows it. (Magnetic Baby: "It's not my fault I look better in a party dress!"). Though they may scare away some of the less open-minded people, it's all in good fun.

 

In an interview with Perez Hilton, Tranter says, "Fashion is unbelievably important to me in music...Rock and roll is supposed to be a show and it's supposed to be crazy and I think people should fucking get dressed up and get over yourself."

 

JustinTranterpicture.jpg

To see for yourself, you can catch all the crazy fashion when Semi-Precious Weapons comes back to New York, New York on March 27th,  and over to Cambridge, Massachusetts on May 2nd!

 

More information on Semi-Precious Weapons:

http://www.myspace.com/semipreciousweapons

 

 

The Veronicas:

The Veronicas are two gorgeous Australians who are gaining momentum in America with their single "Untouched." The girls have a pop-punk style about them that Miley Cyrus wishes she could pull off, and stand out on every red carpet with their extreme makeup and outrageous dresses. Even better, they are apart of the few who can look Hollywood glamorous at the same time.

 

More information on The Veronicas here:

http://www.myspace.com/theveronicas


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How To Get A Photo Pass

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by Kayley Guyette, Staff Writer


            No matter what show you're at,you always seem to see kids walking around with SLR cameras.  At local shows they typically hang out towards the back and head towards the front while the bands play or their side stage. At the bigger shows, they are in the area dubbed the photo pit. While at local shows, the photographers may be active during the entire site, where as with the bigger shows there is a three song limit. So how do you go about being one of those privileged kids?

At local shows, you don't need any sort of photo pass. Many great shows can be taken with a simple point and shoot camera from the crowd. Better quality shots can be obtained by using an SLR camera from side stage or the front of the crowd. Nearly all local bands love it when fans take pictures. So ask the guitarist of whatever band you want pictures of it if would be cool for you to be side stage for a couple of songs to get some pictures.

For bigger acts, it gets a little tricky. You need a photo pass; there's almost no way around it. If you're working for a magazine, a blog or any sort of site where the pictures will be posted your best bet is to go through the bands publicist.

Track down the publicists email, it's sometimes hard to find, but it is out there. Typically a subject line should be "Photo Pass Request For [Band Name] on [date]". In the body of the email put a nice message. State who you work for, offer a link to the website and/or to examples of your work. Explain what you want the photo pass for, like what will the pictures be used with. Offer to put the publicist in touch with your editor.  Sign off and hope for the best. Keep in mind, photo pass requests should be sent in about two weeks before the show. Publicists have to turn in the photo pass list twenty four hours prior to the event.

If you're not working for a publication and just trying to build up your portfolio, things will be a little tricky. Most publicists won't grant photo passes if they will not give the band/artist any publicity. And venues typically do not issue photo passes anymore. Your best bet to getting a photo pass is to form connections with bands and their crew. A tour manager will add you to the photo pass list if he/she knows you're reliable and the pictures will surface on the internet somewhere. But don't expect to get a photo pass every time, sometimes there's a limit on the number of photo passes that can be given out. And other times, opening bands are not granted photo passes.

When you go to pick up your photo pass, make sure you have an ID. It is also a good idea to have the print out from the publicist/tour manager/etc who is giving you the photo pass, so get your cameras ready, and good luck!

March Book Releases

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Read up in March! Some upcoming book releases:

 

MARCH 2009

 

Marvelous Melba: The Extraordinary Life of a Great Diva-by Ann Blainey

http://search.barnesandnoble.com/Marvelous-Melba/Ann-Blainey/e/9781566638098/

 

Got The Life: My Journey of Addiction, Faith, Recovery and KoRN-by Fieldy

http://search.barnesandnoble.com/Got-the-Life/Fieldy/e/9780061662492/

 

Tin Pan Alley Girl: A biography of Ann Ronell-by Tighe E. Zimmers

http://search.barnesandnoble.com/Tin-Pan-Alley-Girl/Tighe-E-Zimmers/e/9780786439058/

 

Satchamo: The Wonderful World and Art of Louis Armstrong-by Steven Brower

http://search.barnesandnoble.com/Satchmo/Steven-Brower/e/9780810995284/

 

 

March CD Releases

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10 March Tuesday

 

 

Anarbor

Free Your Mind [EP]

 

 

Ballas Hough Band

BHB

 

 

Kelly Clarkson

All I Ever Wanted

 

 

Chris Cornell

Scream

 

 

Cursive

Mama, I'm Swollen

 

 

The-Dream

Love vs. Money

 

 

Handsome Furs

Face Control

 

 

Taylor Hicks

The Distance

 

 

Jadakiss

The Last Kiss

 

 

Julien-K

Death To Analog

 

 

New Found Glory

Not Without A Fight

 

 

Madeleine Peyroux

Bare Bones

 

 

Razorlight

Slipaway Fires

 

 

Anni Rossi

Rockwell

 

 

Roxy Epoxy And The Rebound

Band-Aids For Bullet Holes

 

 

Zoroaster

Voice Of Saturn

 

 

17 March Tuesday

 

 

BoA

BoA

 

 

The Chairs

Laugh, It's A Fright

 

 

Gabriella Cilmi

Lessons to Be Learned

 

 

Les Claypool

Of Fungi and Foe

 

 

Cobalt

Gin

 

 

Glynn David

Another Road Without A Sign

 

 

Ace Enders

When I Hit The Ground

 

 

Gorilla Zoe

Don't Feed Da Animals

 

 

An Horse

Rearrange Beds

 

 

Kinetic Stereokids

Kid Moves

 

 

Kylesa

Static Tensions

 

 

MSTRKRFT

Fist Of God

 

 

Static-X

Cult Of Static

 

 

The Strange Boys

The Strange Boys...And Girls Club

 

 

Superdrag

Industry Giants

 

 

Wavvves

Wavvves

 

 

21 March Saturday

 

 

Matthew Michael

Begging For Change

 

 

23 March Monday

 

 

The Rakes

Klang

 

 

Pet Shop Boys

Yes

 

 

 

24 March Tuesday

 

 

Blue October

Approaching Normal

 

 

Busta Rhymes

Back On My B.S.

 

 

Cornshafter

Bombs Away

 

 

Dan Deacon

Bromst

 

 

The Decemberists

Hazards Of Love

 

 

Dan Hicks And The Hot Licks

Tangled Tales

 

 

Pete Doherty

Grace/Wastelands

 

 

Fireworks

All I Have To Offer Is My Own Confusion

 

 

Utada Hikaru

This Is The One

 

 

Indigo Girls

Poseidon And The Bitter Bug

 

 

KMFDM

Blitz

 

 

Litttle Brazil

Son

 

 

Mandisa

Freedom

 

 

Martina McBride

Shine

 

 

Papa Roach

Metamorphosis

 

 

Pet Shop Boys

Yes

 

 

John Rich

Son Of A Preacher Man

 

 

Royksoop

Junior

 

 

Telling On Trixie

Ugly, Broke & Sober

 

 

These Green Eyes

Relapse To Recovery

 

 

31 March Tuesday

 

 

The Answer

Everyday Demons

 

 

Sarazin Blake

The Air Your Lungs Forced Out

 

 

Bow Wow

New Jack City II

 

 

Burn Halo

Burn Halo

 

 

Leonard Cohen

Live In London

 

 

Billy Ray Cyrus

Back To Tennessee

 

 

Gavin DeGraw

Free

 

 

Steve Forbert

The Place And The time

 

 

Diana Krall

Quiet Nights

 

 

Chrisette Michele

Epiphany

 

 

Ministry

Adios... [Live]

 

 

Marie Osmond

Seasons

 

 

Pansy Division

That's So Gay

 

 

Peter Bjorn & John

Living Thing

 

 

Prince

LOtUSFLOW3R/MPLSoUND [Target exclusive]

 

 

Flo Rida

R.O.O.T.S. (Routes Of Overcoming the Struggle)

 

 

Queensryche

American Soldier

 

 

Keith Urban

Defying Gravity

 

 

Yeah Yeah Yeahs

It's Blitz!

 

 

 

Musicians... Start Twittering!

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by Kayley Guyette, Staff Writer

 

Twitter is becoming one of the newest crazes on the internet. What is Twitter exactly? It's a social networking site along with a micro-blogging site. And before you think it, no Twitter isn't out to be the next Facebook. Twitter limits users' updates to 140 characters. To put it simply, Twitter is basically Facebook status updates-without having to refer to yourself in the third person. It's that little box that appears under pictures of band members on their Myspace pages, informing you of what their doing.

Those with a Twitter account can update from their computer, cell phone, PDA even your iPod touch if you have internet access. Once your update is sent in, it shows up on your account and those following you will see it on their main page.

So with Twitter becoming a new craze and the ability to update easily, it's no wonder musicians have started Twittering along with actors, athletes and your next door neighbor. Some examples...

Demi Lovato: Singer/actress Demi Lovato recently updated about "sleeping on the floor of a Miami airport".

Cute Is What We Aim For: Dave Melillo updated a link to "a picture of Trex Alavrez's, their merch. guy, tattoo". While lead singer Shaant Hacikyan updates about "just waking up and waiting to shower, but guitar tech Ian Planet is taking forever".

This Providence: David Blaise updates about "how Texas is awesome".

Cobra Starship: Front man, Gabe Saporta updated Saturday about "how nothing beats a Saturday night spent playing Halo on Xbox Live with his band".

However,  every social networking site has its problems. Twitter now allows it's users to "friend lock" their updates. Twitter is also facing the "impostor" problem that so many celebrities face on Myspace and Facebook.  William Beckett of The Academy Is updates that "The Academy Is guitarist, Mike Carden, is having lunch with the owner of Twitter so they can find a way to track down Mike's Twitter impostor".

So with that- click or text your update over to Twitter and check out if some of your favorite musicians are Twittering too. But beware of impostors!!

 

The Cuatro: A Fabulous Little Strum

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by Jason Beauregard, Staff Writer

 

This month's instrument is the cuatro, specifically the Puerto Rican cuatro, and the national instrument of Puerto Rico.  There are, as is the case with many instruments, several different types of cuatros.  But for the sake of simplicity, here are the three different types of cuatros found in Puerto Rico.

The four stringed cuatro is the oldest, the O.G. of cuatros.  Based on the Spanish word for four, the four stringed cuatro has been around for over four hundred years.  It is the oldest type, and is used mostly to play Jibaro music.  Drawing its roots most noticeably from the lute, it was made first from a gourd or box and used intestine or gut strings.

The eight string cuatro is more common, simply doubling at the octave each string.

The ten string cuatro is the most common type.  Each set of strings, five sets of two, are either octaves or unisons.  Each set of strings is tuned a perfect fourth apart, making this essentially a confusing guitar like instrument to play, but quite fun once you get into the groove (to avoid insinuation, this guy actually played one, it sparked the idea for this issue.)   Ten steel strings line this fret board, which is traditionally flush with the body of the instrument, making it super easy to strum.

Because we know you're interested, here is a link to the National Cuatro Orchestra of Puerto Rico. http://www.youtube.com/watch?v=wX-LRDmQVD4

 

            Unfortunately, this instrument is tough to get a hold of.  They are available at several foreign music shops, including one in New York City.  Fortunately for us, the great internet has provided us with several places to find them, but of course we could always go home, like the cuatros originators, and make our own.  A few tips: A tangerine box and a  2 x 4 should be a good start. Use some twine or weed whacker string should do. Get creative with the tuners, maybe steal some from your dad's old acoustic collecting dust.  Good luck!

 

For more information on the cuatro and the music of Puerto Rico visit these links:

http://www.cuatro-pr.org/Home/Eng/Instrmus/Instrmnts/Cuatros/cuatros.htm

 

http://www.praachicago.org/chicago_cuatro_orchestra.aspx

 

http://welcome.topuertorico.org/culture/music.shtml

 

http://www.cuatro-pr.org/Home/Eng/english.htm